The National Gallery of Art's East Wing on the Mall has a new exhibit on another Dutch Master. While Gabriel Metsu is not as well known as Johannes Vermeer or Rembrandt van Rijin, he is being celebrated as someone on par with these masters by a recent Washington Post art review. The show features 34 paintings by the artist including one on loan from Queen Elizabeth II.As someone who has a good friend who is Dutch and has been to Amsterdam twice, I am somewhat familiar with the adoration the Dutch have for Vermeer and Rembrandt (and from more modern times , Van Gogh) but Metsu was not a name mentioned to me when going to The Rijksmuseum. His work certainly depicts the everyday life themes just as his contemporaries painted as well. The brush strokes bringing the silk of a dress of a rich patron's wife to life or the ruddy cheeks of a peasant women in the market added to her grittiness.
There are many wonderful works on view and worth seeing. The show has opened two weeks ahead of schedule yet, the docent did not know why when I asked. This may account for the fact there were no postcard images of the show on sale, only the heavy catalogue was available. As I left the East Wing and ventured over to the West Wing of the Museum, a funny thing happened along the way. I stopped in the large gift shop and found there was a postcard of a painting another less known Dutch Master, Gerard ter Burch II. The painting titled, The Suitor's Visit, c.1658 was similar to one I just viewed in the East Wing by Metsu, titled, A Man Visiting a Woman. If fact after purchasing my postcard, I learned the ter Borch painting is part of the National Gallery of Art's permanent collection on display in the West Main Floor Gallery 50.

On the left is ter Borch's The Suitor's Visit from the National Gallery of Art in Washington's website and on the right, a photo of Metsu's work of A Young Man's Visit from the National Gallery of Ireland's website and the photo credit per the website, Mike Fear. Metsu painted his work in 1662-4 and ter Borch in 1658 so I ask you is Metsu a Master or a Master copy cat? Yes, it has been written that Metsu was influenced by ter Borch but this is too close. Also, on the NGA website, it makes the comparison of Metsu's The Intruder another painting in this interesting exhibit but it is NOT similar to ter Borch's The Suitor's Visit because the settings are in two completely different places. Either way, from my humble art knowledge, the NGA has failed to point out within its Metsu exhibit, the ter Borch painting and with its printed material the duplications. Still the NGA exhibit is worth the trip. A special gallery talk about the Metsu exhibit is scheduled for Friday, April 22 at 3pm. I say go!


